| Back to Back Issues Page | |||||||||
![]() |
|||||||||
|
Drawing Matters, Keeping a Sketchbook June 15, 2008 |
|||||||||
| Hello Welcome to the June issue of Drawing Matters, particularly to those of you who are new subscribers. In this month's newsletter you will find:
If your computer only allows you to view a text only version of this newsletter you can see the colour version with images
here
Course DatesIf you've always wanted to learn to draw, Drawing on the Right Side of the Brain is a proven technique for teaching drawing - particularly to those people who swear they could never be taught to draw!If you want to learn the five basic skills needed for realistic drawing you can do it a five-day intensive course. Although all the UK courses for 2008 are now full you can find out about courses in the United States by following the link at the bottom of the page.
All participants do a pre-instruction drawing, the self-portrait (below) was done on Day 1, before instruction by the participant, who on Day 2, completed this challenging foreshortened view of a hand (below right) as well as the drawing of a chair (below left) also on Day 2.
On Day 3, participants do profile drawings of each other.
Here is a "before" and "after": on Day 1, participants do a pre-instruction self-portrait drawing.... Then on Day 5, participants do a self-portrait, bringing together all the skills they have learned.
To find out more about how the course is structured and what you will learn, click here
For further information and
a booking form, click here
DRAWING COACH: WHY KEEP A SKETCHBOOK?Everybody is always told to keep a sketchbook but why, what is the point? Sketchbook, journal, whatever word you want to use to describe it, having some kind of portable ‘book’ to draw in regularly can help hone your artistic skills and generate ideas. Historically sketchbooks were works in progress – this was where an artist drew studies of people or objects that would later be incorporated into a painting. Sketchbooks provided an opportunity to work through ideas and difficulties – themes, poses, composition etc. A sketchbook shows how an artist’s mind works – what grabs their attention and where they take that thought. Work in sketchbooks was never meant to be judged critically as ‘works of art’; sketchbooks are personal, intimate windows into the artist’s mind. More recently sketchbooks have developed into more of their own art form – the ‘visual journal’. These can be exciting kaleidoscopes of colour, including found objects or mementoes or souvenirs and photographs. A journal may be on a particular subject such as a journey or a location, or they may be a random collection of images. See Danny Gregory's Creative Licence in Books. Danny's forthcoming book An Illustrated Life showcases numerous journals by artists and will be reviewed at a later date but in the meantime, you can pre-order on Amazon. Often illustrated journals include writings – perhaps notes about colours or perhaps just thoughts and reflections on the subject. Perhaps when you start your next sketchbook, remember Jerry Cutler's words of advice: There will be more advice and tips on Making the Most of your Sketchbook in next month's Drawing Matters In the meantime, visit the website to read some Sketching tips: Sketching on Location
here
VIRTUAL VISIT: PEEK INTO ARTISTS' SKETCHBOOKSIt's rare we get a chance to see inside artists' sketchbooks. Occasionally a museum will have one on show - displayed open at one page - so frustratingly you don't get to see the other pages... This site offers a fantastic opportunity to peek into sketchbooks by some great artists: Henry Moore, Edward Burne Jones, John Constable, Edgar Degas, Gericault, W.M Turner, John Singer Sargent, Leonardo da Vinci, Frederick Leighton, Frida Kahlo - plus many books and journals by artists today.The subjects vary enormously from the sheep Henry Moore used to see grazing out of his window, to the studies of draperies and figures by Burne Jones. Frida Kahlo's pages are a riot of colour, Turner's landscape sketches show how he studied value tones for his paintings... There is a wealth of inspiration here. The links take you to sites and sometimes you have to look for a 'page through book' button in order to scroll through the pages. Don't ignore sketchbooks of artists whose names you don't recognise - if you do, you are missing out.
View the sketchbooks here (a new window will open).
WHAT'S NEW ON THE WEBSITE?Sitemap Seen something on the website but you can't remember where? Navigating round a website can be tricky and if you are in a rush, it can be frustratingly tedious. I hope I've now made it easier for you by creating a Sitemap page on the navigation bar which lists the information found on each page of the website. Visit SiteMap hereDrawing on the Right Side of the Brain USAReceived this Newsletter from a Friend?If you've been forwarded this Newsletter from a friend and you'd like to subscribe to Drawing Matters yourself, just click hereAnna Black London |
|||||||||
| Back to Back Issues Page |